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Archive for ‘Conny Van Ehlsing’

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Pricing: The Inevitable Question

by Max Vaehling on February 2nd, 2010

You may have heard about the quarrel between bookseller Amazon and publisher Macmillan. In a nutshell, Macmillan wanted to sell their eBooks at whatever price they felt was best while Amazon insisted on keeping all eBooks below $9.99. Since Amazon is That Big Market and their Kindle is pretty much the major game in town for now, they have the power to say things like that. Usually. Macmillan disagreed, and Amazon dropped the “buy” option on all of their books, including printed ones. Later, after much hate from the bloggers’ world, they released a statement that basically said they’d eventually give in to Macmillan’s pricing, but they had wanted to make a statement first.

This discussion is interesting for me because I’m about to release several eBooks myself, and pricing is one of the major questions here. For years, I’ve priced my books way too low. Only recently, I’ve issued my printed books at more realistic prices while keeping the eBook prices still pretty low (<1€). I really don’t have a good feeling for pricing. In print, I have a rough guideline (the printing cost), but in digital format?
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Sample Scripts: Why I haven’t posted any yet (except now)

by Max Vaehling on January 7th, 2010

One thing I’ve always enjoyed on other people’s sites is the possibility to download and read scripts. It helps a lot when you’re preparing to write your own, and it’s still fun when you’re used to writing your own.

Always keen on being helpful, I’ve started posting some scripts of mine over at my German blog, and I’d love to do the same here. There’s just one problem.

They’re all in German.

I could translate them, but that’s not the same, is it? I’ll probably do it anyway when the books are due and I need back space material. Until then, I present the German scripts here anyway, for the minority of you who read German, don’t care or just want to look at the layouts.

Sandkastengeschichten (English: Tales From the Sandpit): PDF

Die! (engl: Playground Politics): PDF – HTML
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Counting my Pages

by Max Vaehling on November 6th, 2009

Right now, I should be thinking about the next Conny Van Ehlsing storyline – the plot idea I had fell apart when I tried to fixate it in writing -, but instead I find myself moving vector blocks around a layout file to simulate the book version.

All in all, Vol. 2 will probably be about 70-80 comics pages. 40-50 of which I’ve already got. (Having a regular webcomic really helps here!) I’m thinking of including sketches within the comics section to loosen the appearance, and there will be a making-of section as well as a small gallery, so I may end up with a 90+ page TPB. Which divides well into three 32pp singles.

Since those singles will be available as downloads more than not, I’m thinking about splitting them some more. (I don’t know about you, but I like my ebooks to be a little shorter than dead tree ones. And it wouldn’t be that short. Also, Terry Moore seems to get away with 20 page installments, doesn’t he?) I’ve fiddled about a bit, and I could make four singles just as well as three. While I’m at it, I can even split the trade and spread it over two 48pp albums, which is a pretty regular format here. Which would, of course, do away with all the Vol.2 spin I’ve built around this run of Conny. Oh well. Small cost.

I’m not aiming toward that, but it’s a good plan B. I remember the extra work I had to put in to make the 72 pages of Vol. 1 happen. It definitely beats not having an album at all for the next con.

So, when am I going to publish all that? AND the English versions? AND the 24 hour comic I made last month? All before June? Because I really want to get the album out in time for to the Comic Salon in Erlangen, which is basically our version of SDCC.

Four books spread across six months? Easy. December – February – April – June. I don’t want book 4 to issue after the album. I had that the last time, and I still haven’t wrapped up all of Vol. 1. Which reminds me: Five downloads. November – January – March – May — July? Huh. Makes Plan B more realistic, though. Or the three book edition: November – January (because there’s some seasonal stuff in #1) – March – May. And the 24h comic? Whenever.

So I’ll have to weigh the different preferences against each other. Preferred page count vs. preferred story sequence vs. preferred publishing sequence. All before December because that would make me reschedule.

The next idea came as an afterthought to splitting the album. There’s no reason to split it into two equal parts! I can make a 72 page album now, as Vol.2, and start saving up for Vol. 3. Instead of ending Vol. 2 with Conny re-entering school, I’d wrap it up with Professional Perspective, which would work even if it’s a different focus than the one I intended. Then begin Vol. 3 in pretty much the same way as Vol. 1 – with Conny entering a new school.

Of course if I do that I won’t have the opportunity to advertise the volume’s conclusion because it’s already over. On the other hand, I’m thinking about joining more webcomics networks, and the beginning of Vol. 3 would be a good starting point.

I shouldn’t be thinking about these things now. What I should do is translate the next story for the German platforms and write the next adventure for the webcomic. But that’s just it. I want the next German story to be from the first single, so I’ll have to decide what’s in that issue. And the album plans make a difference for the webcomic, too – originally, the next story would have been the lead-in towards the finale. If the finale’s already done, there’s no point in that.

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More thoughts about formats

by Max Vaehling on June 12th, 2009

So, once I’ve settled on publishing vol. 1 in one, er, volume, and keeping the smaller units electronic, there isn’t really any point in keeping them at 32 pages, is there?

Personally, I like my screen reads short. That’s how I came up with the split downloads in the first place. And if you look around, you’ll find a lot of experimentation with eBooks formats, usually settling for the shorter form. That’s only natural. Screen reading is still a drag for a lot of people.

When you’re not putting a book jacket around it, the size of the thing just doesn’t matter. What we perceive as a comfortable book size is a convention that was brought about by the book market. It’s cheaper and altogether less troublesome to assemble 200 pages into a book than to market five installments of 40 pages each. A hundred years ago, 28 page books weren’t that unusual. I believe they’re coming back.
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Buffer off

by Max Vaehling on May 12th, 2009

There’s been a lot of talk in the forums recently about how far ahead of your comic’s updating schedule you should be, and if you should bother at all. There seem to be two schools of thought about this issue, the pro side claiming professionality always shows in time, while the con side is more about not stressing yourself out because that’ll kill your comic for sure. (No pun intended in either case of naming, btw.)

Personally, I’d love to keep a large buffer, but I know I’d blow it within the first couple of weeks. Like a bike helmet or a cell phone on a mountaineering trip, a buffer can make you overconfident. I need deadlines to get my work done, or I’ll waste time researching and designing stuff. Because I have so much time, you know. On the other hand I believe in punctuality. I’ve promised my readers that I’ll update Conny Van Ehlsing every Friday. How can I expect anybody to take my comic seriously if I don’t even bother to commit to it in time? (Recently, I’ve added “usually before 8 AM EST” to the promise because I had been cutting it close a couple of times.) You don’t need a buffer to be on time, but it’s a good safety net. Of course, you have to ignore that the logic behind the buffer is very, very flawed.
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Rethinking, Resizing

by Max Vaehling on April 7th, 2009

When I started working on the Conny book, my plan was to publish two 36 page books via POD, and maybe later release a shiny trade paperback with an actual publisher that I’d lure in with those books. The main reason for that is, I can’t provide proper International distribution myself, and I want the trade to get the best chances possible.

Now I’m thinking of aiming straight for the trade nonetheless: Release a trade of Vol. 1, the way I did in Germany, then continue with “floppies” of Vol. 2. Use both to interest publishers in a Vol. 2 trade.

What got me thinking is the impression that floppies are on their way out. (Of course, right now, I can’t find the links I thought I had to back this up. But it isn’t just my impression.) Especially small press publishers seem to root for the trades now. The current success of graphic novels may be one reason for that. And then, of course, there’s the web.

In analogy to the music business, trades are albums (actually, that’s how we call the closest to that format in the European tradition), and floppies are singles. The stuff that gets airplay to promote the album, the tour, the band and also the single itself. But nowadays, we have webcomics to do that, don’t we? I know I do. And all those new eBook formats, too. I’d love to look into those some more, but not right away. Anyway, webcomics. As singles go, they’re even better than booklets because the airplay is included in the format.

There’s more. If you follow that analogy a little further, singles are contemporary, albums are made to last. But those two singles of mine aren’t contemporary any more, are they? I finished Vol. 1 of Conny a year ago. In a way, they aren’t singles at all, they’re EPs or something.

I’ll have to think about this some more. For now, read on to find a top-of-my-head list of pros and cons.

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You Can’t Turn the Page while you’re Hanging from a Cliff

by Max Vaehling on December 14th, 2008

If I had edited the current story the way I showed you in the previous post, this week’s page would have to be different, too. If you haven’t yet, take your time to read the first three pages according to the original script, then come back here and continue reading. (Of course, these are very rough five-minute cuts made from the original pages, so excuse the rawness.)

You already know about the one big difference (Conny looking around in the house) and why I changed that. Today, I want to talk about something else that occurred to me when somebody wrote in to say the original version had better timing than the published one, because it created a tension at the end of page 3 before you see the monsters.

That’s all true. Equally, the old page four (then three) ends on an intense moment, while the end of the published page stalls the action for a moment.  But, you know, here’s the thing:

I did that on purpose.

Conventional wisdom says every page should end with a cliffhanger, a moment of tension that makes you turn the page. Even more so in webcomics, when the task is not just to make people click to the next page, but to come back for the next installment. Actually, it’s not just conventional wisdom that says so, but also, for example, Chuck Dixon, and who am I to argue with Chuck Dixon? Nobody, that’s who. I’m gonna do it anyway.
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The Undeleted Scene

by Max Vaehling on December 6th, 2008

Here’s one for the book extras, once I’m past the vol. 1 books and into vol. 2: The opening sequence of HOUSEWARNING, the way I originally wrote it.

The reason I added that extra scene on p.2 was, I felt I owed it to the readers to show the house since that’s what the plot seems about from what youz see on p.1. The original idea, on the other hand, was a simple, fun story about how Conny deals with the supernatural side of her life now. I had already drawn most of what you see here when I decided to have that looking-around scene. It changes the whole balance of the story, though. More emphasis on the house, less on how Conny makes herself at home there. So I had my doubts at first. During the following week, I discarded those doubts by scribbling the current p.2 and deciding it worked fine. Getting some extra work off my back so I could go on a weekend trip to the Netherlands may have been a factor as well.

So , if you’re at the blog’s front page now, click on the “more” button to see what the first three pages of HOUSEWARNING would have looked like if I had stuck to the original script. ↓ Read the rest of this entry…

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What’s a good synopsis?

by Max Vaehling on December 3rd, 2008

Jay of webcomicscollage.com (a webcomics listing site that since seems to have morphed into a webcomics site in its own right) has written in three times already asking about a synopsis for my collage entry. And he’s right, I really need to get down and do it, not just for the collage, but for the Webcomics List and Onlinecomics.net, too, because the old one there isn’t accurate anymore:

“A girl finds herself in a new world full of demons, conspiracies, teachers and other scary things: primary school. (She’d meet vampires, too, but she’s not allowed to stay up that late…)”

The more I’m unfolding Vol. 2 of Conny Van Ehlsing, the less it’s about school. The first new adventure, Tales From the Sandpit, was set in a playground, and I won’t get into how that changes the mythology of Vol. 1′s The Long Walk Home. The current adventure, Housewarning, is about the Van Ehlsing’s new home. And there are monsters in all of these places. As Conny’s life gets more complex and grown-up, so does the supernatural threat she’s up against. There’s a rough story arc to Vol. 2 that won’t get her back to school until the end of the volume. Vol. 1 was about being thrown into this new, big, spooky world. Vol. 2 is about coming to terms with a world that’s now a whole lot spookier than it used to be altogether.

So, how do I sum all of that up into 2-3 sentences? ↓ Read the rest of this entry…

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The Original Soundtrack

by Max Vaehling on November 16th, 2008

A while ago, there was an interesting thread on the apparently short-lived Webcomics.com forum. The initial question was: “If your webcomic had a theme song, who would play it?”

Questions like this don’t seem to concern a webcomic very much at first glance, but thinking about these things is a useful exercise. It helps you get the tone right, and you may learn a thing or two about your characters if you just look at them from an odd angle. Everything that challenges you to do that is good.

Incidentally, I had just thought about that particular question myself. (Don’t take my word for it, check my Panel & Pixel worklog, it’s somewhere in there.) My post in the forum reads like this:

“My comic is Conny Van Ehlsing, Monster Hunter, a horror/fantasy title set in elementary school, with a six-year old heroine. Recently, I’ve taken Conny out of her old school and into a new neighborhood to broaden the scope of the comic.

There’s some drama, lots of humor, and readers have responded enthusiastically to the grrl power aspects of the character. So the obvious choice for a theme song would be Roky Erickson’s “I Walked with a Zombie”, in a Le Tigre version.”

Of course, right after I had posted this, I watched the VERONICA MARS episode where Veronica sings Blondie’s “One Way or Another”. That works, too.

So, I was back to thinking about it some more.

“I Want a Monster to Be my Friend” from Sesame Street would work, even though Conny would never want a monster as a friend. She wants them all gone. But the matter-of-fact way that monsters are part of the singer’s world fits the comic’s atmosphere.

The Go-Go’s‘ “Capture the Light” – It’s about getting a grip, moving out of the dark. Always good. Plus, the Go-Go’s always had a quirky punk-pop attitude which is pretty much what I’d like for a comic like that. There’s a whole pre-grrl girl-pop scene that fits this trope perfectly. “Capture the Light” isn’t actually the best example of this, but it’s a great song.

(Edit to add, 2010: I’ve got a new favorite, or I would have if it had ever been recorded: XTC’s “Playground”, a song about school bullying and how you never quite outgrow it, sung by Lily Allen. Even if it wasn’t for this comic, I’d play that all day!)

Those are just the first songs I could think of. Quirky yet tough, upbeat but with a scent of drama – that’s the flavor I’m looking for.

What would you choose?*

Click on the “more” link, btw, to find out how my other comics sound.
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